For being a goth, I've realized my site has no horror. That changes now. This page is for horror and horror media. Horror is critical in our world. Horror discusses topics that are avoided in polite society. Horror forces people to look at the rotten underbelly of our society and the chaos of our world. Horror is the security cameras on infant formula and the foster children sleeping in state parks. However, horror can also be used regressively, such as the rise of religious horror and the slasher genre in tandem with women's liberation, no-fault divorce and the classification of domestic violence as a crime in the 1970s and 1980s. This is why horror must be treated as a legitimate artform and not the pulp trash that many academics treat it as.

I've been steeped in horror ever since I was a child. Born in 1994, I was just the right age to fall into the Goosebumps hype. I loved Goosebumps so much that I had a pillowcase with Skelly on it. I was so little that I would climb inside the pillowcase to be carried over to my grandparents next door when it was time for them to babysit me. My grandfather was a huge fan of Edgar Allan Poe and during those times together, he introduced me to him. Although truly understanding Poe was well beyond my reading comprehension, I read "Masque of the Red Death" by age eight. Lastly, my uncle lived with my grandparents and was a huge fan of the old World of Darkness roleplaying games by White Wolf. These included Vampire: the Masquerade, Werewolf: the Apocalypse, and Mage: the Ascension. Although the content of the World of Darkness was not appropriate for me at all, I leafed through each one completely fascinated. These books were my introduction to the classic monster archetypes and heavily influence me to this day.

We also can't forget Courage, the best dog, which ran during my childhood. I own the whole series on DVD.

Another book from my childhood that haunts me to this day is Scary Stories to Tell in the Dark. The stories in this book are for children and are not particularly scary, but the art is on another level. The images from this book gave me nightmares, made me cry and scream in the middle of the night until my parents intervened. Even as a teenager, the art creeped me out and made me get scared of things when I was alone. Unfortunately, the art was changed in 2011 to be much less scary. I bought a copy of the original and have kept it solely as an artbook.

Another book that traumatized me as a child around the age of 9 or so was the Zombie Survival Guide. I ended up reading World War Z in a single sitting after. I would stay up and be scared all night that zombies were going to come through my windows and eat me. To this day, zombies are a recurring theme for my nightmares and I'm vaguely uncomfortable with zombies compared to other classic monsters

My first love in horror cinema was A Nightmare on Elm Street, mainly the first film and to a lesser extent the third. The second is super, duper gay and I recommend it for its gay camp but it's not good. The beauty of A Nightmare on Elm Street is that the horror (to me) is not Freddy. The horror is that Nancy is in danger, she knows she is in danger, and she's trying to protect her friends and warn the people around her. The response of the adults? To take her to the hospital and put bars on her windows. I definitely feel that as a woman, an archetype that goes all the way back to Cassandra, the cursed prophetess, in the Iliad.

During my teen years, I read the complete works of H. P. Lovecraft. That dude was racist; his story "The Street" is literally about killing Eastern European immigrants. His dialogue also sucked. He did, however, launch an entire genre of horror. I would definitely only bother with the best hits though and expect to read things that would never fly today if you do. In my opinion, he's more important for the ideas he brought to the conversation that his actual fiction.
I feel like I'm going to lose some goth cred today, but horror games freak me out and they freaked me out so bad as a kid that I couldn't play any of them. I remember trying to play Silent Hill 2 as a kid and crying and having to put the game down despite being like 13. The first horror game I was able to beat was Resident Evil 2 Remake as an adult.
These are all the horror games I've beaten.
| Title | Thoughts |
|---|---|
| Nightmare on Elm Street (1984) | While sticking to the conventions of the slasher genre at the time, Wes Craven's Nightmare on Elm Street is a masterclass of psychological horror. Nancy is systematically pathologized, a hysterical girl, even as her life is in danger. |
| The Thing (1982) | A John Carpenter classic, The Thing not only represents the pinnacle of practical effect, but the environment of paranoia the thing creates is darker than any of the scenes where its 'true' form is onscreen. |
| The Stuff (1985) | A cult classic! A comedy horror movie with science fiction elements, The Stuff is a romp through a plot we're all too familiar with, a coporation poisoning the public for financial gain. |
| Night of the Living Dead (1968) | Romero's masterpiece, this movie launched the modern Western interpretation of the zombie as a classic monster archetype. What is more memorable to me is it's head-on portrayal of race, a mainstream horror movie in the 60s where the only competent protagonist is a black man. |
| Videodrome (1983) | A Chronenberg film that mixes body horror with the effects of mass media, Videodrome is a surreal film that questions how we engage with media, eventually extending to a meta level. There are certainly aspects of feminism and gender within the work as well, although they're not the focus. |
| They Live (1988) | A John Carpenter classic, They Live is a sci-fi horror romp with a wrestler protagonist finding a conspiracy much greater than himself and deciding to do something about it. The "kick ass and chew bubblegum" line came from this film! |
| In the Mouth of Madness (1994) | A psychological-cosmic horror film directed by Carpenter, Mouth of Madness at once captures the tone of early Stephen King works while doing something fresh for its time. Do we have free will? How much of our life is predetermined? |
| House on Haunted Hill (1958) | This film features my favorite Vincent Price performance of all time. This movie is campy if you look at it through a modern lense, but it provides one of the best ghost stories of its time while keeping an edge of suspense. |
| I Saw the TV Glow (2024) | Transness mythologized and told through the cinematography of Buffy: the Vampire Slayer, I Saw the TV Glow is emotionally devastating to anyone who has struggled with gender and those it is speaking to will feel the movie is realer than real life in some ways. |
| Halloween (1978) | One of my few picks for the problematic slasher genre, Halloween by John Carpenter not only delivers an amazing score, but is the archetypal slasher film. It has been the subject of feminist critique for decades and is required viewing for anyone academically interested in horror. |
| Scream (1996) | This slasher takes a meta approach, criticizing the genre's tropes while explicitly reenacting them. It also interrogates the media spectacle and obsession that often revolves around gruesome crimes while providing a strong female lead played by Drew Barrymore. |